The souljazz orchestra bibinay
No matter how high they set the bar here, the Souljazz Orchestra execute. While horns assert themselves at the start, it’s the keys, layers of manic percussion, and M’Baye and a chorus that send this one over as the set’s strongest cut. “Serve & Protect” is a furious rhythm collision of Afro-beat and Latin rhythms. The other reggae-inflected jam here, “Conquering Lion,” is hard on the jazz-funk tip with killer front-line horns on all burners. “Jericho” is on the roots reggae tip with baritone saxophonist Ray Murray on vocals, while the more streetwise “Kingpin” goes at reggae with guest Gary “Slim” Moore leading the swaggering bubbler. Immediately following, M’Baye leads the band in the funk number “Kelen Ati Leen.” “Ya Basta” showcases the band’s horn section as it employs incendiary salsa in a strutter par excellence, with a vocal from the Souljazz Orchestra’s resident conguero and drummer, Philippe Lafrenière, leading the furious dance chant. After multiple Canadian and World tours, the 10-year old band is wrapping up its second American tour, in support of their recently released fourth full-length album Solidarity. The layers of guitars and distorted keyboards (Pierre Chrétien) meet layers of percussion, horns, and a call-and-response chorus. Columbus gets a rare treat as Toronto’s Souljazz Orchestra comes to Woodlands Tavern on Thursday night. Here, Afro-beat and Afro-jazz meet slippery funk grooves from the modern West. Set opener “Bibinay” features El Hadji “Élage” M’Baye, a Senegalese native who now resides in Quebec. The band employs its usual meld of Afro-beat, Caribbean, tropical, Latin, and Brazilian styles with jazz, funk, and soul, but the interaction with singers brings the mix to a whole different level. Solidarity furthers the band’s reach as it employs vocal talents from a wide range of singers from Canada’s vast underground music scene. Meeting with nearly universal acclaim, it spread the sextet’s well-deserved reputation for creating a musically adventurous meld of global styles, accurately reflecting roots cultures as they dialogue with one another in the 21st century - without watering them down. Their music is always exciting, soulful, and expertly played they never fall prey to world fusion clichés.Canada’s Souljazz Orchestra were well-known to audiences in Europe before their 2010 Strut debut, Rising Sun it was the sextet’s first all-acoustic effort.
The layers of guitars and distorted keyboards (Pierre Chrétien) meet layers of percussion, horns, and a call-and-response chorus. Canada’s Souljazz Orchestra were well-known to audiences in Europe before their 2010 Strut debut, Rising Sun it was the sextet’s first all-acoustic effort.